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Durchbeissen 「くいしばる」
Youkobo Art Space 2009, November 26 to December 06
Durchbeissen 2009
paper, bite marks. 360 pieces @ H12,7 x W 17,8
Kratzbild 2009
paper, scratch-marks. H 135 x W 300 cm
Salzstern 2009
Paper, brine. 9 sets 1 set @ H 54 x W 75,8 cm (2 papers)
Salzbild, rund 2009
Paper, brine. 9 pieces H 54 x W 37, 5 cm
Early Snow this Year
sorosoro
scribble in the sky
TV Schneegestöber
Schneegestöber
Eisfedern
Lichtpunkt | 舞う Eisfedern | Himitsu | Shirobamba
Installation view of the second room 'Katrin Paul solo exhibition'
Lichtpunkt | 舞う
at Nishiaizu International Art Village, Nishiaizu City, Fukushima, March 2009
Shirobamba 2008
10 Centenarians circle I 凛と
10 Centenarians circle I 凛と 2008 I 09
Inspired by Nishiaizu's City slogan "Let's challenge 100!" Katrin Paul used her short stay (6 months) in Nishiaizu Art Village to make a photographic portrait of 100-year-old inhabitants of Nishiaizu.
Katrin Paul Solo Show Youkobo Art Space June 2008
Installationview Youkobo Art Space June 2008

20070714_N04 digital photographs inkjet on paper
Fur Balls (as Thundercloud) cat hair, string, tape

20070714_N04 digital photographs inkjet on paper
Fur Balls (as Thundercloud) cat hair, string, tape
Chandelier 30x32 (Japanese Version) 20 neon lights
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20070714_N04 digital photographs inkjet on paper
Fur Balls (as Thundercloud) cat hair, string, tape
20070714_N04 digital photographs inkjet on paper
Fur Balls (as Thundercloud) cat hair, string, tape
Chandelier 30x32 (Japanese Version) 20 neon lights
Are you in line?
Katrin Paul, a German artist, manly using photography as her medium, has been working in Saigon for a month developing a new series of photographs and line drawings that challenge the traditional concept of the photographic portrait. The work, “Are you in line?” raises many questions about the conventions and expectations of portraiture. The work has allowed her to work intimately with several families that have 4 generations.
20070714_N04
100 100 100 0 or 0 0 0 100
100 100 100 0 or 0 0 0 100
Black is the new theme of Katrin Paul. Her large-sized photographs, in which she is concerned with the presence of light in almost absolute blackness, indicates a change of direction within Katrin Paul's artwork. Previously explored themes, the human being and the human portrait, have been temporarily set aside to pursue this new field of questioning.
