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Durchbeissen 「くいしばる」

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Youkobo Art Space   2009, November 26 to December 06

Durchbeissen 2009
paper, bite marks. 360 pieces @ H12,7 x W 17,8

Kratzbild 2009
paper, scratch-marks. H 135 x W 300 cm

Salzstern 2009
Paper, brine. 9 sets 1 set @ H 54 x W 75,8 cm (2 papers)

Salzbild, rund 2009
Paper, brine. 9 pieces H 54 x W 37, 5 cm
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Early Snow this Year

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Early Snow this Year 2009


at Trolls in the Park

Open Air art Exhibition at Zempukuji Park


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sorosoro

scribble in the sky

TV Schneegestöber

Schneegestöber

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In the Snow-country |YUKIGUNI | 雪国
Schneegestöber


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Eisfedern

Lichtpunkt | 舞う Eisfedern | Himitsu | Shirobamba

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Installation view of the second room  'Katrin Paul solo exhibition'
Lichtpunkt | 舞う
at Nishiaizu International Art Village, Nishiaizu City, Fukushima, March 2009

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Shirobamba 2008

10 Centenarians circle I 凛と

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10 Centenarians circle I 凛と      2008 I 09
 
Inspired by Nishiaizu's City slogan "Let's challenge 100!" Katrin Paul used her short stay (6 months) in Nishiaizu Art Village to make a photographic portrait of 100-year-old inhabitants of Nishiaizu.

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Katrin Paul Solo Show Youkobo Art Space June 2008

Installationview Youkobo Art Space June 2008

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20070714_N04   digital photographs inkjet on paper
Fur Balls (as Thundercloud)  
cat hair, string, tape

 

© Katrin Paul_Solo Show Youkoubo Art Space_June 2008_1.jpg

20070714_N04   digital photographs inkjet on paper
Fur Balls (as Thundercloud)  
cat hair, string, tape

Chandelier 30x32 (Japanese Version)   20 neon lights

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Are you in line?

KatrinPaul_Areyouinline_01.jpgNew works by Katrin Paul created in & around Ho Chi Minh City with the support of the Goethe Institut Vietnam during a 37 days artist-in-residence at a little blah balh (ALBB) Saigon, September/October 2007

Katrin Paul, a German artist, manly using photography as her medium, has been working in Saigon for a month developing a new series of photographs and line drawings that challenge the traditional concept of the photographic portrait. The work, “Are you in line?” raises many questions about the conventions and expectations of portraiture. The work has allowed her to work intimately with several families that have 4 generations.


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20070714_N04

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In my photographic work I am very interested to find new ways of visualization by simple means. At the moment I am especially interested in situations of "light in total blackness".

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Black is the new theme of Katrin Paul. Her large-sized photographs, in which she is concerned with the presence of light in almost absolute blackness, indicates a change of direction within Katrin Paul's artwork. Previously explored themes, the human being and the human portrait, have been temporarily set aside to pursue this new field of questioning.


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